THE ZILLICH TAROT DECK REVIEW
Those of you who attended Readers Studio 2018 in New York will recognize this deck as having come in the event gift bags, courtesy of U.S. Games. The artwork is done in watercolors by German artist Christine Zillich. The deck art blends mythological, astrological, and Kabbalistic symbolism, featuring Crowley’s keywords on the pips.
THE ZILLICH TAROT DECK CARD DETAILS
The cards are petite at 2.25″ x 3.75″ (compared to standard tarot size: 2.75″ x 4.75″) and remind me more of a typical Lenormand size deck. You get the deck in a keepsake metal tin. There’s a typo with the roman numeral for Key 21: The Universe, but it doesn’t really bother me. While Key 20 (XX) in the Thoth deck is titled Aeon and in the RWS is Judgement, here in Zillich , it’s Justice . The description of the artwork for Key XX reads in relevant part: “Golden light from heavenly trumpets awakens the dead. . . . An old age ends and a new era begins. The eternal consciousness is reborn in the spirit of the primordial fire.” So that sounds very Judgement-y and Aeon-y to me. Assuming the keyword “Justice” for Key XX is correct, I’m not entirely sure how justice fits in to the card, even with the deck creators’ own meaning attributions for Key XX.The abstract cubist style pays a clear homage to Lady Frieda Harris’s style. That Death card is just absolutely beautiful and to me, almost has a dark goddess vibe to it. Some of the symbolic renderings in the Majors feel more RWS to me than Thoth, like how Key 8, while titled Lust, is positioned as it would be in the RWS (whereas Crowley goes through quite the trouble explaining white Lust/Strength “should” be Key 11) and Key 11 is Justice/Adjustment. Also, the depictions, most notably in The Hermit card, or even the Wheel of Fortune feel more RWS than Thothian.