Mansions of the Moon Tarot Cards
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Mansions of the Moon Tarot Review: lunar astrology in a handmade occult collage
Orica’s quick take: Mansions of the Moon Tarot is the kind of deck that makes a reading feel like opening an old cabinet of astrological diagrams, devotional pictures, anatomical charts, dream fragments, and private ritual notes. Zadok’s collage work is busy, strange, and deliberately handmade. The images do not smooth themselves into one polished visual world; their power comes from the way unlike materials collide.
I would choose this deck for symbolic journaling, shadow work, astrology-adjacent readings, creative blocks, and questions that benefit from associative thinking. I would not choose it as a first and only learning deck. Its structure is recognizably Rider-Waite-Smith, but the visual clues often speak in a more personal, esoteric dialect.
The important buying reality is that this is a rare, self-published deck from 1999. The Amazon button on this page leads to the related Mansions of the Moon: The Lost Zodiac of the Goddess lunar-zodiac book, not to a verified copy of Zadok’s tarot deck. Treat any second-hand deck as a collectible: confirm that it is the 78-card edition, request photographs, check the card count, and do not confuse it with the separate 22-card majors-only version.

Deck-specific card study
The Moon: a many-faced guide carrying fire into the dark
A blue-black sky fills most of this card, with a pale moon face suspended high above the scene. The central figure is not a single clean portrait: several heads or faces gather above a long, pale robe. One hand holds a small branching object while the other raises a red-tipped torch. Block-like buildings sit at either side, and dark animal forms occupy the lower foreground.
The composition makes uncertainty feel active rather than empty. The clustered faces suggest competing impressions; the torch offers limited but useful light. In a reading, this Moon does not ask for blind trust or immediate certainty. Upright, it can describe following the next visible clue while allowing the larger story to remain unresolved. In shadow, it warns that multiple fears or projections may be speaking at once. Ask: which voice is observation, and which voice is atmosphere?
What is the Mansions of the Moon Tarot?
Mansions of the Moon Tarot was created by Zadok and self-published in 1999. Specialist tarot archives document both a 22-card majors-only edition and a standard 78-card edition. The complete edition follows the familiar tarot structure: twenty-two Major Arcana, four suits—Wands, Cups, Swords, and Pentacles—and Page, Knight, Queen, and King courts. The Fool is numbered 0, Strength is VIII, and Justice is XI.
That conventional skeleton matters because the artwork is anything but conventional. The deck assembles images from printed sources into dense collage scenes. Magazine fragments, old illustrations, spiritual art, animals, architecture, diagrams, and bodily imagery share the same card. A title gives you a stable entry point, but the surrounding fragments change the emotional temperature of the traditional meaning.
The result is less like a modern digitally blended collage and more like a physical magical scrapbook. Edges, scale changes, and abrupt color shifts remain visible. Those seams are not defects to read past; they are part of the deck’s voice. They make each card feel constructed, layered, and open to more than one line of association.
Card moment: the night teachers
Intuition appears as study, solitude, distance, and dream




Together, these four cards show that the deck does not reduce intuition to one soft feeling. The High Priestess studies what is hidden, the Hermit withdraws to hear it, the Star restores orientation, and the Moon tests whether the reader can stay observant inside uncertainty.
How the collage language changes a reading
With a cleaner pictorial deck, the eye often moves from figure to action to outcome. Mansions of the Moon behaves differently. Your attention may jump between a face, an animal, a small diagram, a bright patch of red, and a piece of architecture before it settles on a story. That scattered first response is useful data.
I read these cards in three passes. First, name the traditional card function in one sentence. Second, list the three fragments that pull your eye most strongly. Third, ask what relationship those fragments create. The goal is not to decode every borrowed image. It is to notice which pieces form a meaningful sentence for the question in front of you.
This method keeps the reading grounded. It also prevents the deck’s density from becoming an excuse for vague mysticism. If your interpretation cannot be linked to the title, a visible detail, or the actual question, pause and simplify.

Deck-specific card study
Wheel of Fortune: the turning pattern runs through the body
A pale blue, cross-legged figure dominates the card. A vertical sequence of colored circular centers runs from the pelvis to the crown, while fine labels and diagram lines cover the body. Astrological or alchemical-looking charts fill the background. Near the lower edge, a circular chart, dark stones, and a small blue flower-like form create a second field of symbols.
Instead of showing fortune as an external wheel, the collage places cycles inside a seated body. Change is not merely something happening “out there”; it moves through attention, energy, habit, and response. Upright, this can mark a turning point that asks for alignment rather than control. In shadow, the diagram can become over-analysis—the attempt to label every influence while refusing to move. In a practical reading, ask which part of the cycle is already embodied and which part is still being treated as theory.
Beginner friendliness and the Rider-Waite-Smith question
The deck follows a Rider-Waite-Smith-compatible sequence, so a standard tarot book will help with the basic architecture. That does not make the imagery beginner-simple. Some minors preserve an immediately recognizable emotional scene; others feel like symbolic assemblages that need time, comparison, and a willingness to journal.
A confident beginner can work with it as a second deck. Keep a plain reference nearby and study one card at a time. Start by separating what you know from what you feel: “This is the Five of Cups” is the structural fact; “the image feels enclosed and heavy” is your visual response. Both matter, but they are not the same kind of evidence.
For a first-ever deck, I would choose something with clearer sequential scenes. For an experienced reader who has become too automatic with familiar meanings, this deck can be wonderfully disruptive. It makes you look again.
Card moment: sacred thresholds
Commitment is tested through belief, relationship, balance, and awakening




This sequence moves from inherited teaching to chosen relationship, then to integration and a final call to answer. It is a useful four-card spread when the real question is not “What should I do?” but “What am I willing to commit to, combine, and become accountable for?”
Easy, medium, and hard readings with this deck
Easy: “What image should I carry into today?” Pull one card, choose one visible fragment, and turn it into a concrete reminder. Do not force a full prediction.
Medium: “What is influencing this situation beneath the obvious story?” Use three cards for the known influence, the hidden influence, and the action that joins them. This spread suits the deck’s layered imagery without letting it sprawl.
Hard: “Which belief, desire, or fear am I projecting onto the outcome?” Pull four cards for the projection, its source, what reality currently supports, and the choice that remains yours. The deck is strong here because its collage fragments make contradiction visible.
Art style, personality, and reading pace
The personality is occult, handmade, theatrical, and psychologically restless. Warm reds and ochres often collide with deep blues, black grounds, devotional figures, animals, diagrams, and pieces of the human body. Scale is dreamlike: a face can become a sky, a diagram can occupy the body, and an animal can carry as much narrative weight as the central figure.
This is not a “quick keyword” deck. It rewards slow shuffling, deliberate questions, and enough table space to compare several cards. Repeated motifs become easier to recognize over time, but the deck should never be reduced to a rigid private dictionary. The same torch, bird, building, or circular diagram may perform differently beside another card.
Photographs of surviving cards also show the texture and limits of a small-press object from its era. Expect a visual experience that feels archival rather than glossy. That is part of its appeal, but collectors should distinguish authentic wear and period printing from poor reproduction.

Deck-specific card study
Azrael XIII: transformation as a confrontation with many endings
The printed title reads “AZRAEL XIII ANGEL OF DEATH.” Against a vivid red ground, a dark central figure is largely covered by an enormous blue feathered wing. Around it are several heads and masks: a black skull-like face, a blue profile, an animal head, and a white human skull. An axe-like tool appears at the upper right, while two black candles burn near the bottom.
The card refuses a single tidy symbol of ending. Human, animal, masked, and skeletal forms crowd the same field, while the wing both protects and obscures. Upright, this is change that has become impossible to keep abstract: something must be named, grieved, cut away, or carried across a threshold. In shadow, the surrounding faces can represent fixation on every possible loss. In a reading, ask what ending is actually present—not every ending the imagination can produce.
Who will love Mansions of the Moon Tarot?
This deck is a strong match for collage artists, astrologers, ceremonial-magick readers, dream journalers, experienced tarot readers, and collectors of late-twentieth-century self-published decks. It also suits readers who enjoy making links between symbols rather than following one clean cinematic scene.
It may frustrate readers who need crisp contemporary printing, a readily available guidebook, or a deck that teaches the Rider-Waite-Smith system through obvious visual repetition. It is also a poor choice for anyone tempted to treat density as certainty. More symbols do not automatically mean a more accurate reading.
What Orica likes most
What I like most is the deck’s refusal to become visually polite. The collages preserve friction. A spiritual diagram can sit beside a flower, a skull, an angel, or a piece of city architecture without pretending those fragments came from one original scene. That friction keeps interpretation alive.
I also like how the deck can interrupt habitual reading. When you have read tarot for years, familiar cards can arrive already summarized. Here, even a familiar title asks you to negotiate with the picture again. The deck restores the useful pause between seeing a card and deciding what it means.
Card moment: matter as magical practice
Pentacles turn resources into attention, craft, stewardship, and authority




Read as a progression, these cards ask whether a promising resource can survive contact with practice. The Ace offers potential, the Eight requires repetition, the Queen protects what can grow, and the King tests whether skill has become dependable stewardship rather than display.
What to know before buying
Mansions of the Moon Tarot is rare or out of print, and specialist deck retailers list it as unavailable. The Amazon link above is for a related lunar-zodiac astrology book rather than the tarot deck itself; it should not be mistaken for a stable retail edition of Zadok’s cards.
If you find a second-hand listing, verify four things before paying: the creator name Zadok, the edition size, photographs of the actual cards, and the exact card count. A 22-card majors edition is a legitimate version, but it is not the same product as the 78-card deck. For the complete edition, ask the seller to confirm all seventy-eight fronts rather than relying on a stock description.
Condition matters, but provenance matters too. Avoid listings that use only borrowed photographs or cannot show the card backs, box, and a spread of majors and minors. A rare deck deserves collector-level caution.
Orica’s golden rule for reading with this deck
Let one fragment earn its relevance before you chase the next. These collages offer more visual material than any single reading needs. Choose the detail that genuinely connects to the question, explain that connection, and only then bring in a second symbol. The rule turns visual abundance into disciplined interpretation.
Final thoughts
Mansions of the Moon Tarot is not memorable because it is smooth or easy. It is memorable because it feels assembled by a particular mind at a particular moment in small-press tarot history. The standard structure keeps the deck readable; the collage language keeps it from becoming predictable.
Readers who want another dense esoteric system may also enjoy The Thoth Tarot or the Initiatory Golden Dawn Tarot. For a different lunar atmosphere, compare it with Deviant Moon Tarot and Tarot of a Moon Garden.

Mansions of the Moon Tarot FAQ
Who created Mansions of the Moon Tarot?
The deck was created by Zadok and self-published in 1999.
How many cards are in Mansions of the Moon Tarot?
The complete edition contains 78 cards. A separate 22-card majors-only edition also exists, so collectors should confirm which version a listing contains.
Does it follow Rider-Waite-Smith tarot?
Yes. The complete deck uses the standard Major and Minor Arcana structure, the four familiar suits, Page–King courts, Strength VIII, and Justice XI. Its collage imagery is much more idiosyncratic than a teaching-focused RWS deck.
Is Mansions of the Moon Tarot good for beginners?
It is better as a second deck than as a first deck. Beginners can use it with a standard tarot reference, but the dense collage symbolism asks for patient observation and journaling.
Is Mansions of the Moon Tarot still in print?
No dependable current retail edition could be verified. Specialist deck sources describe it as rare or out of print, so most available copies are likely to appear through collectors or second-hand sellers.
Why does this Gallery not show every card in the 78-card edition?
The supplied archival image board contained 74 unique, verifiable card fronts. Duplicate pins were removed, and unavailable cards were not invented or replaced with imagery from another deck.





